Wednesday, July 8, 2020
Home Movie Interviews Honeymoon Director Leigh Janiak Sees The Light With Digital Filmmaking

Honeymoon Director Leigh Janiak Sees The Light With Digital Filmmaking

Opening September 12 in select theaters and on VOD, Honeymoon centers on newlyweds (Rose Leslie, Harry Treadaway) who leave the city to spend some quality time at a remote cabin. With hardly anyone in sight, surrounded by trees and a lake, Bea (Leslie) and Paul (Treadaway) should be having the time of their lives.

Unfortunately, a nighttime excursion in which Paul catches Bea sleepwalking leads to dire repercussions, as the woman he loves gradually transforms before his eyes.

Though it was shot in North Carolina and has its share of exterior sequences, Honeymoon is a claustrophobic thriller in the vein of Roman Polanski’s Repulson or The Tenant. The storyline’s main scares come from Bea’s emotional and mental undoing by an unseen force as Paul is rendered helpless in the process.

During the interviews, first time filmmaker Leigh Janiak explained why she initially considered shooting the movie in Super 16 and eventually went digital (with the Arri Alexa). She also talks about how watching Amour and Zero Dark Thirty helped inform her the film’s visual aesthetic (most notably in Honeymoon’s use of lighting).

Click on the Souncloud bar below to hear Leigh Janiak talk about the benefits of using the Arri Alexa:

Greg Srisavasdi
I've been a movie reviewer/interview since 1991 (as a UCLA Daily Bruin scribe), worked at Westwood One, Deepest Dream owner, co-editor of Hollywood Outbreak, podcast co-host of "CinemAddicts" and "Matt and Greg Used To Interview Movie Stars." I can be reached at for inquiries or whatever the case may be!

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