
“Gambit” was officially shot in 2012 by director Michael Hoffman (The Last Station, One Fine Day), so it’s a bit of a wonder that it took so long to make its way to Blu-ray. The bad news is Gambit (Sony Pictures Home Entertainment, 89 minutes, PG-13) has no special features to speak of. But if you’re a Colin Firth and Cameron Diaz fan who’s in the mood for a diverting enough comedic confection, Gambit doesn’t disappoint.
Harry Deane (Firth) is an art curator who’s sick of working for abusive media tycoon (and avid nudist) Lord Lionel Shabandar (Alan Rickman). Although he’s dressed in tailored suits and tries to be as gentlemanly as possible, Harry is a socially awkward fellow whose sense of reality is slightly skewed. With the aid of a longtime colleague (Tom Courtenay) and a straight talking rodeo queen (Cameron Diaz), Harry coordinates an art forgery scheme to bamboozle Lionel. The film is a remake of the 1966 original which featured Michael Caine and Shirley MacLaine as the leads.
The picture’s main allure is the screenplay, which was penned by filmmakers Joel and Ethan Coen. Their trademark humor, which occasionally centers on the incongruity (and occasional danger) of mismatched relationships, is evident in Gambit, and all of the leads effectively play their roles to the hilt. Diaz, who’s usually front and center in most of her work, lets Rickman and Firth have most of the fun in this comedy of manners romp.
Gambit’s tone resembles the whimsy of the Coens’ previous films The Ladykillers and Intolerable Cruelty, and if you’re looking for any thematic layers or profundity, you’ve come to the wrong place. At its heart, Gambit is cotton candy comedy – sweet to the taste with a ton of empty calories.
A commentary from Michael Hoffman would have been welcome, but as a lightweight comedy that’s blessed with a brisk running time, Gambit is an engaging enough viewing experience.

The sequel, to Butler, is even stronger than the original. I think second one is even better,” said the actor. “It pushes the limits and the stakes in so many ways. Animation has come along so much and they’ve made absolutely beautiful use of that to make this a visually exhilarating ride you go on. Yet (the filmmakers) never shied away from bringing up darker issues and really keeping it exciting and emotional. On all those fronts, I’m blown away…I’m very proud to be a part of it.”
Although Think Like A Man Too centers on the gang partying up in Sin City, Kristen’s (Gabrielle Union) primary directive is to start a family with Jeremy (Jerry Ferrara). Unfortunately, her over planning puts a damper on their romantic interludes. “I think the biggest thing overall that we all talk about with relationships in general and friendships is (to) never lose the fun in any relationship,” adds Union. 




Generation War contains various tropes you’ll find in a sweeping war epic, as you’ll get a taste of bittersweet love (Charlotte and Wilhelm have a slow, burning desire for one another), brutal warfare, and unspeakable tragedy. Part of the narrative’s excellence lies in its first rate execution of each of the character’s respective journeys. There are no pat happy endings or life affirming revelations to be gleaned from our protagonists, as their sole mission is survival. Their manifold decisions, which often occur within the blink of an eye, result in unexpected transformations from the friends, and some of these changes are not for the better.








