Written and directed by Paul Haggis (Crash, The Next Three Days), Third Person centers on the lives seemingly disparate people struggling and loving their way through Paris, New York, and Rome. Mila Kunis is Julia, a former soap opera actress who, due to her own irresponsible actions, has lost visitation rights to her son. Desperate beyond belief, Julia takes a job as a maid to hold a steady job and prove to her ex-husband (Kunis’ Oz The Great and Powerful co-star James Franco) that she’s carving out a steadier path.
Ambitious in narrative scope, Third Person isn’t an easily digested drama of love and inevitable tragedy. Inspired by some of the more ambiguous, character driven work of the 1970s, Third Person contains a complex storyline that should leave audience members talking (and perhaps arguing) soon after the credits roll.
Paul Haggis, Adrien Brody – Third Person (Sony Pictures Classics)
During this week’s Third Person press conference, Mila Kunis talked about her straightforward approach to acting. “This is purely my take on it,” said the actress, who will also be seen next year in the sci-fi epic Jupiter Ascending with Channing Tatum. “I will live it for those 20 minutes when I’m on set to live it, but it’s called acting for a reason. This is just me…I feel like if I did a good job (and) I’m emotionally drained by the end of the day, I don’t want to keep living it. I want a glass of wine and I want to go to bed.”
Click on the media bar below to hear Mila Kunis talk about her acting method, especially in relation to her work in Third Person:
Co-starring Adrien Brody, Maria Bello, and Liam Neeson, Third Person opens in New York and Los Angeles June 20.
Obvious Child’s storyline centers on Donna Stern (Jenny Slate), a New Yorker who, although she has command of the stage as a stand up comic, fails to find balance or structure in her own life. Her neurosis is understandable, as she’s been dumped by an idiot boyfriend (PaulBriganti) and has a one night stand that leads to her pregnancy.
Directed and written by Gillian Robespierre, Obvious Child has been summarized as a comedy about abortion, and such a pat description undercuts the film’s wonderful mixture of emotional depth and humor. Slate delivers a knockout performance as an artist on the verge of an emotional breakdown, and Jake Lacy (TV’s The Office and the short-lived Better With You) also holds his own as Donna’s patient (and equally funny) love interest Joey.
The film started out as a 2009 short, with Slate serving as the lead. With the assistance over the years with IFP, Rooftop Films, the Tribeca Film Institute, and the San Francisco Society, Robespierre and Slate were able to witness the full blossom of Obvious Child, and 83-minute flick is now playing in Los Angeles and New York (with a wider rollout on June 13 & the following weekend).
Click on the media bar below to hear Slate discuss main difference between her and Donna Stern:
I also asked Slate about the joys of collaborating with husband Dean Fleischer-Camp on the drop dead funny (and cute) short Marcel The Shell With Shoes On (my favorite line: “Guess what I do for adventure? I hang glide on a Dorito”). The short’s success inspired their 2011 children’s book Marcel The Shell: Things About Me. Click on the audio below to hear Slate offer up her thoughts on the internet and Marcel The Shell.
The NBA finals are in full swing with the Miami Heat and the San Antonio Spurs, and EA Sports has just released the first screenshot for NBA Live 15. The photos of Paul George (Indiana Pacers), Tony Parker (Spurs), Rajon Rondo (Boston Celtics), James Harden (Houston Rockets), Blake Griffin (Los Angeles Clippers), and Steph Curry (Golden State Warriors) are stunningly accurate representations of the players, and this might be the year when the “Live” franchise finally gets its mojo back. Rondo’s dour and pensive look, from where I sit, is absolutely on the money.
I was also impressed with last week’s open letter from NBA Live 15 executive producer Sean O’Brien, who admitted certain flaws of the NBA Live 14 experience: “5-on-5 gameplay didn’t have the depth and polish of an EA SPORTS game and our visuals just weren’t up to expectations for a next-gen title. We’ve been laser-focused on making sure that this isn’t the case with NBA Live 15.”
Check out the impressive video below, which deals with how the NBA players were captured through the use of 12 DSLR cameras:
NBA Live 15 comes out October 7 for the Xbox One and PlayStation 4.
“Gambit” was officially shot in 2012 by director Michael Hoffman (The Last Station, One Fine Day), so it’s a bit of a wonder that it took so long to make its way to Blu-ray. The bad news is Gambit (Sony Pictures Home Entertainment, 89 minutes, PG-13) has no special features to speak of. But if you’re a Colin Firth and Cameron Diaz fan who’s in the mood for a diverting enough comedic confection, Gambit doesn’t disappoint.
Harry Deane (Firth) is an art curator who’s sick of working for abusive media tycoon (and avid nudist) Lord Lionel Shabandar (Alan Rickman). Although he’s dressed in tailored suits and tries to be as gentlemanly as possible, Harry is a socially awkward fellow whose sense of reality is slightly skewed. With the aid of a longtime colleague (Tom Courtenay) and a straight talking rodeo queen (Cameron Diaz), Harry coordinates an art forgery scheme to bamboozle Lionel. The film is a remake of the 1966 original which featured Michael Caine and Shirley MacLaine as the leads.
The picture’s main allure is the screenplay, which was penned by filmmakers Joel and Ethan Coen. Their trademark humor, which occasionally centers on the incongruity (and occasional danger) of mismatched relationships, is evident in Gambit, and all of the leads effectively play their roles to the hilt. Diaz, who’s usually front and center in most of her work, lets Rickman and Firth have most of the fun in this comedy of manners romp.
Gambit’s tone resembles the whimsy of the Coens’ previous films The Ladykillers and Intolerable Cruelty, and if you’re looking for any thematic layers or profundity, you’ve come to the wrong place. At its heart, Gambit is cotton candy comedy – sweet to the taste with a ton of empty calories.
A commentary from Michael Hoffman would have been welcome, but as a lightweight comedy that’s blessed with a brisk running time, Gambit is an engaging enough viewing experience.
During the Los Angeles press conference for How To Train Your Dragon 2, Gerard Butler told reporters that How To Train Your Dragon is one of his favorite films. Thus the actor had high expectations for the sequel, as he returned as the voice of Stoick, the Viking leader father of dragon whisperer Hiccup (Jay Baruchel).
The sequel, to Butler, is even stronger than the original. I think second one is even better,” said the actor. “It pushes the limits and the stakes in so many ways. Animation has come along so much and they’ve made absolutely beautiful use of that to make this a visually exhilarating ride you go on. Yet (the filmmakers) never shied away from bringing up darker issues and really keeping it exciting and emotional. On all those fronts, I’m blown away…I’m very proud to be a part of it.”
Before the press conference ended, Butler talked his upcoming picture Gods of Egypt, a flick that’s directed by talented filmmaker Alex Proyas (I, Robot and Dark City). The actor describes it as a cross between Avatar and The Lord of the Rings. Click on the media bar below to hear Butler talk about Gods of Egypt and Geostorm.
How To Train Your Dragon 2, which also features Game of Thrones’ Kit Harington as the voice of inept dragon trader Eret, opens June 13.
Dwayne Wade may be shooting for his fourth NBA ring during this year’s finals with the San Antonio Spurs, but the Miami Heat shooting guard’s mind is also on his impending marriage to actress Gabrielle Union. During Saturday’s Think Like A Man Too press conference, Union talked about Wade’s balancing act (she affectionately describes him as a “groomzilla”).
“Even though he’s playing in the finals, he still has time to be (groomzilla),” says Union, who also headlines the BET series Being Mary Jane. “As much as people like to think he’s worried about Tony Parker or the air conditioning in San Antonio, he’s worried about centerpieces and the kind of wine we’re having. He’s more of the one who’s that’s really driving the bus.”
Although Think Like A Man Too centers on the gang partying up in Sin City, Kristen’s (Gabrielle Union) primary directive is to start a family with Jeremy (Jerry Ferrara). Unfortunately, her over planning puts a damper on their romantic interludes. “I think the biggest thing overall that we all talk about with relationships in general and friendships is (to) never lose the fun in any relationship,” adds Union.
To hear Union talk about Dwayne Wade’s groomzilla tendencies, click on the media bar below (Regina Hall is also heard in the clip) . Think Like A Man Too, co-starring Kevin Hart and Meagan Good, opens June 20.
Filmmaker/journalist Sebastian Junger and late photojournalist Tim Hetherington were praised for their 2010 feature Restropo, a documentary which centered on American soldiers’ experiences in the Afghanistan’s Korengal valley from 2007-08. Junger’s fidelity to his subject continues after Hetherington’s passing, and although Korengal can be seen as a companion piece to Restrepo, this new doc isn’t just a bunch of extra footage that’s slapped together as an afterthought.
Inspired by Junger’s book War, Korengal gives us a deeper look into the mindset of the men who braved and persevered through that unforgiving terrain. Revisiting as well as giving a different viewpoint on his extensive material was eased by Junger’s continued collaboration with Restrepo editor Michael Levine.
In the following Korengal clip (which contains language some viewers may find offensive), soldier Brendan O’Byrne shares his conflicting views on war:
Sterling Joines on the 240B machine gun during a firefight in Korengal – Photo: Outpost Films
“I feel like we all need to contribute to this nation, in one way or another,” said Junger, who launched a successful Kickstarter campaign to help fund the costs for Korengal. “The soldiers had one way and my contribution was as a journalist. If that contribution helped soldiers and civilians, then I feel like I did my job. Do your duty is a cliche, but we all have a duty in this country of some sort. I have this open ended question to people – ‘What do you think you owe your country?’ It’s a very hard question to answer actually.”
In the audio clip below, Junger breaks down the Kickstarter campaign for Korengal (the film was released May 30 in New York and opens June 13 in Los Angeles).
One of my favorite films this year is The Signal, a $2 million budgeted sci-fi feature which showcases the filmmaking acumen of director William Eubank. Citing such heavyweight influences as Stanley Kubrick, Tony Scott, and Ridley Scott, Eubank infuses The Signal with a distinct, visually arresting aesthetic while offering up a nail-biting and twist driven narrative in the process.
The Signal – Focus Features
During my interview with Eubank, he talked about how he pulled off an expensive looking film with a modest budget. “I always take the script and I have a book and I start to kind of literally write and draw all the shots in the movie in this big book,” said Eubank, who collaborated with Angels & Airwaves on the 2011 feature Love. “…It’s that sort of execution and commitment to an early part of the film and knowing exactly what you’re trying to do so you can isolate where money should be spent and where you can let go of certain things that enable you to actually executive it down the road.”
Check out the video below for a few filmmaking pointers from Eubank:
The Signal, starring Brenton Thwaites, Beau Knapp, and Olivia Cooke, opens June 13.
Five Berliners meet at their local bar. It’s 1941, and on the eve of Germany’s debilitating campaign in the Soviet Union, they are all looking forward to their respective journeys and, more importantly, to the time when they reunite for another celebration. Generation War, now out on DVD via Music Box Films, is a critically acclaimed look at war’s unsentimental ravages on humanity, as seen through the eyes of these once hopeful youths.
Wilhelm (Volker Bruch) is a steel-eyed lieutenant who’s bound to rise up through the ranks. His main burden lies in watching over his wide eyed brother Freidhelm (Tom Schilling), a soldier whose sensitive soul may spell his immediate death on the front lines. Greta (Katherina Schüttler) is a talented singer with designs on traveling the world, but first she must ensure her Jewish boyfriend Viktor (Ludwig Trepte) leaves Berlin on his own accord. Charlotte (Miriam Stein) is the kindest of the close knit crew, and her compassion serves her well as a Red Cross nurse.
Generation War contains various tropes you’ll find in a sweeping war epic, as you’ll get a taste of bittersweet love (Charlotte and Wilhelm have a slow, burning desire for one another), brutal warfare, and unspeakable tragedy. Part of the narrative’s excellence lies in its first rate execution of each of the character’s respective journeys. There are no pat happy endings or life affirming revelations to be gleaned from our protagonists, as their sole mission is survival. Their manifold decisions, which often occur within the blink of an eye, result in unexpected transformations from the friends, and some of these changes are not for the better.
Director Philipp Kadelbach frames his storyline with an even eye, and although Generation War’s portrayal of violence will shock some viewers (the killing of a young girl at the hands of a Nazi major is particularly jarring), it’s this unyielding aesthetic that serves as one of the film’s biggest strengths. Cinematographer David Slama and Kadelbach also make for a great team – whether we’re following the politics behind Charlotte’s hospital work or out on the battlefield with the two brothers, the sequences are shot in a kinetic and visually arresting style which keeps you glued to the screen. Even though it clocks in at 279 minutes, Generation War moves at a surprisingly brisk pace and is a must see DVD (especially if you’re a war film fanatic).
Generation War – Music Box Films
Special Features: The DVD offers up A 20 discussion with Generation War screenwriter Stefan Kolditz and producer Benjamin Benedict. “Many of the reactions that we got from families, were that the generations of children and grandchildren started to talk with their parents who’d been silent about it for long, or to look for traces of their fathers or grandfathers, though they were already dead,” said Kolditz, who spent three years researching the project, during the session. “An essential process has been initiated, and eight years before, when we first talked about it, that was exactly our intention. And it worked.”
The DVD also contains a 12 page booklet which contains thoughts from producer Nico Hoffman (“Generation War” is my most personal production and is the product of a long cherished wish to relate the wartime experiences of my parents,” he says) and screenwriter Stefan Kolditz, and an essay from Sara F. Hall (Associate Professor of Germanic Studies at the University of Illinois at Chicago).
I reviewed Boom Beach for Arcade Sushi back in late March, and it’s currently the most played app on my iPad. This week’s recent update from Supercell is a total winner, as players can now build a yellow submarine to search the waters for new treasure. Whether it’s retrieving more gems, iron, or gold coins, having a submarine at your arsenal is a great addition to Supercell’s free to play title.
If you don’t have enough resources to build a submarine, not to worry. With the new update, you receive daily rewards for your various victories at seas. The game’s goal is to travel to different islands with your naval arsenal and rid various captive islands from their respective enemies. To build your armies, weaponry, as well as defend your home base, you’ll need a plethora of stone, iron, wood, and currency in your coffers, and until the update the resources were only available by winning your battles or through freemium purchases. Daily rewards, whether they’re in app form or applied to our daily lives, are always a good thing!
Boom Beach (Supercell)
Boom Beach’s appearance has also experienced a slight improvement this week, as the islands you’ll visit don’t simply center on tropical based warfare. Combat is now available on icy terrain, giving the app much needed visual dimension. Ice power stones, a new resource available to Boom Beach fans, can be collected after a victorious campaign on these lands.
Boom Beach (Supercell)
Since this is a free to play title, Boom Beach’s main goal, amidst its addicting game play, is to get you to pay for a few premiums. Considering I’ve spent countless hours building up my island and invading different islands, paying the good folks at Supercell a few of my hard earned bucks is understandable. Still, if you’re short on cash, Boom Beach is still a great app to play – even if it’s harder to conquer various territories with no money to spare.
No matter how many daily rewards you collect and resources you hoard, they will be spent financing your troops and customizing your home base. To save time and win your various battles in an expedited fashion, shelling out cash for in-app purchases is a necessary evil. But if Supercell continues to dish out excellent upgrades to Boom Beach, throwing some money at the company’s ever expanding empireis totally understandable. Until then, I’m just hoping my submarine finds enough treasures to save me a few bucks in the process.