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In a span of fourteen plus minutes, Shark Bait actress Holly Earl covered her acting origins, passion for Malta, swimming for 12 hours, and gaming past (with Flavourworks’ Erica). She also discussed her love for the features Chef and Some Like It Hot. Check out the video and audio versions of our conversation below!
I can take or leave shark movies, but since it is directed by One Shot filmmaker James Nunn, I gave it a shot. The 87-minute centers on a group of spring breakers (led by Holly Earl) who are stranded in the middle of the ocean in Mexico. With a couple of jet skis as their protection from a shark attack, their chances for survival are pretty much slim to none.
You are not going to watch Shark Bait for a multi-layered plot, but that said I actually enjoyed the character dynamics among the friends and enjoyed how the movie played out. The shark sequences were really well done and adrenaline fueled, and there are a couple of sequences that I will remember (one which features Earl staring down a shark with a knife!). It was a pleasant surprise all around, and I recommend Shark Bait if you want an entertaining and effective shark thriller. Rounding out the ensemble are Jack Trueman, Catherine Hannay, Malachi Pullar-Latchman and Thomas Flynn.
Speaking of surprise, I had no idea that Holly Earl is a huge cinephile and gamer. I forgot to ask her about being an artist, but the good news is we covered a ton of ground in the allotted time.
Shark Bait is now in theaters and available On Demand. Here is the interview:
I want to see every James Nunn film after being impressed with One Shot. From your perspective, what was it like collaborating with Nunn?
James is amazing. He’s a visionary. He had such a clear vision for this film. When I met him, I went in and auditioned with James and we just had a ton of fun in the room. He was pretending to be a shark.
He really gets stuck in when he’s directing, which I love in a director. That kind of helped me see what the film was going to be like and get a picture of it. You never know with a picture of this scale (where) you’re filming on the ocean what it’s going to be. But James is lovely and he took us early in rehearsals so we all knew what we were doing. He had a very clear vision of what he wanted.
You need that when you’re out in the ocean and out in the elements. You need a solid director who knows what they are talking about. And he absolutely does.
As I was watching your film, I kept wondering if you were really out shooting in Malta or had most of your scenes on a sound stage. It looked like an arduous shoot.
Reading the script you kind of know what you’re getting into, but you don’t know until you get there. What it’s actually going to be like to be in the ocean, swimming 12 hours a day.
I think when I got the call that I got the job I was like, ‘Okay this is it, I’m going to have to get in shape.’ I got a personal trainer. I needed to get going on this, not just for the visual aspect but for the actual fitness and stamina of it.
Because I knew I was going to be swimming (and) diving. I was going to be doing stunts. It had just been a lockdown so i hadn’t been as active as I probably usually would have been so I had to step up my game and get ready for this film. It was extremely physical, but fun.
I love transforming myself for a role. By the end of shooting I was definitely in the best shape I have ever been in my life and I wish I could have kept on to that. But I think you need to be swimming for like 12 hours of the day to be in that peak physical fitness.
We all trained really hard and went through it for this film.
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