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The Voice Knockout Rounds Night 1: Ladies First as Hannah Huston + Alisan Porter Thrive

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The Battle Rounds are over and it’s time to thin The Voice herd once more. While the singers have relied on their coaches’ song choices so far, in the Knockout Rounds they have more of a say in what they sing. And when you get this far, there aren’t really any weak singers, so song choice and command of said track can go a long way in deciding who advances. Not to mention, taking risks can generate big rewards or seal your fate. So who plays it safe, who takes a chance and who will be left standing? Night 1 of The Voice Knockout Rounds starts here: 

‘Regression’ With Emma Watson And Ethan Hawke Hits Blu-Ray In May

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Movies such as The Others, The Sea Inside, and Open Your Eyes (which was later remade by Cameron Crowe with Vanilla Sky) has showcased the storytelling acumen of filmmaker Alejandro Amenábar, and his latest film Regression hits Blu-ray, DVD, and On Demand May 10.

Tom Hiddleston Sees The Light With Hank Williams Journey

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Tom Hiddleston takes on own of his most challenging (and what one would assume more gratifying) roles to date with I Saw The Light, a first rate biopic on the complex life of transcendent country singer/songwriter Hank Williams (Tom Hiddleston). The film opens in select theaters (NY/LA) on Friday, March 25.

The Voice Blind Auditions, Night 4: Brittany Kennell, Laith Al-Saadi Lead the Night

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With just a precious few spots left on each coach’s roster, the final night of The Voice Blind Auditions will send a lucky few onto their next competition. As we head into Night 4, Blake Shelton, Adam Levine and Pharrell Williams have used up their steals, leaving Christina Aguilera to choose which of tonight’s contestants she wants to add to her team. So let’s get into the final night of The Voice Blind Auditions:

The Voice Battle Rounds, Night 3: Adam Wakefield, Alisan Porter Come to the Forefront

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It’s a new week, but we’re now well into The Voice Battle Rounds. Who will survive? Who will the coaches use their final few steals on? And who will wow enough to top The Voice rankings? Lets get into the latest Voice Battle Rounds:

Carrie Preston And Patrick Warburton Share “Crowded” Life

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The new (and funny) sitcom Crowded centers on Mike (Patrick Warburton) and Martina (Carrie Preston) whose dreams of an empty nest are put on hold after their daughters (Miranda Cosgrove, Mia Serafino) move back home and Mike’s parents (Stacy Keach, Carlease Burke) decide not to retire in Florida. During our interviews with Warburton and Preston, they talked about t heir own family journey.

‘Private Property’ Gets 4K Restoration Premiere At TCM Fest

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Warren Oates was a favorite of directors Sam Peckinpah (Bring Me The Head of Alfredo Garcia, The Wild Bunch) and Monte Hellman (Two-Lane Blacktop, Cockfighter) and now the character actor will be spotlighted thanks to Cinelicious Pics with the re-release of the 1960 thriller Private Property. The 4K restoration of the feature premieres at the 7th Annual TCM Classic Film Festival, which runs April 28-May 1st in Hollywood.

T.D. Jakes Talks “Qualitative” Story of ‘Miracles From Heaven’

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Along with being the Senior Pastor of The Potter’s House, T.D. Jakes is also a bestselling writer, screenwriter, and producer. Jakes’ latest producing effort, Miracles From Heaven, is the inspiring true story of Anna Beam’s (Kylie Rogers) courageous fight against an incurable disease. Jennifer Garner co-stars as Anna’s mother Christy Beam.

Tristan McIntosh Sees ‘American Idol’ Journey As A “Huge Success”

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Although Nashville singer Tristan McIntosh was eliminated last night on American Idol, her journey on the show was a hands down success story. Just 15, McIntosh was able to grow as an artist during her AI experience and also showcase her talents to millions of viewers.

‘My Golden Days’ A Heartbreaking Evocation Of First Love

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My Golden Days centers a nostalgic and restless man who’s constantly in flux. Paul Dédalus (Mathieu Almaric) is an anthropologist who, while getting ready to leave Tajikistan for Paris, is spending his final moments with a lover. Now middle-aged, Paul is blissfully aware that parting is just a necessary component to life, and that “sweet sorrow” is one of youth’s necessary casualties. For one to move forward, one also has to leave things and people behind, as forever is probably some misguided fairy tale.