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Blu-Ray Review: Joan Crawford Is ‘Possessed’ In Film Noir Classic

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Possessed - Warner Archive

Warner Archive Collection is a treasure trove for classic movie buffs and cinephiles, and the recent Blu-ray release of the Joan Crawford classic Possessed is another gem worth grabbing.

Crawford earned an Oscar nomination as Louise Howell Graham, a wealthy woman blessed with a devoted husband (Raymond Massey) and a kindhearted stepdaughter (Geraldine Brooks). But money and privilege doesn’t always buy happiness, as Louise wanders the streets of downtown Los Angeles asking a trolley car conductor for a man named “David.”

It’s dawn in the City of Angels, and a disheveled, disoriented Louise is taken to the local hospital for treatment. While she lies in a mainly catatonic state, we delve into the events leading up to her inevitable tragedy.

Louise is madly in love with David (Van Heflin), a construction engineer whose womanizing tendencies doesn’t fit well with any kind of commitment. When Louise pushes David for a deeper kind of union, he breaks it off, leaving her in a permanent form of distress and bitterness.

She initially spends her days a caretaker and nurse to Dean Graham’s (Raymond Massey) sick wife, but after the woman drowns herself, Dean rebounds from his wife’s death and ask Louise’s hand in marriage.

Still not over her break-up with David, Louise’s stress level reaches new heights after he lands a job working for her husband and gets romantically involved with her stepdaughter (Geraldine Brooks).

With a running time of 108 minutes, there’s a ton of narrative to cover with Possessed, and the movie’s bread and butter lies in the solid performances from Crawford and Van Heflin. Louise and David’s incessant verbal warfare gives this film noir its proper edge. Though David’s devil may care attitude has kept him young and vital in his thirties, he has no idea Louise is a schizophrenic, and their final encounter leads to one of film noir’s most memorable (and gorgeously cinematic) moments.

Credit also goes to Curtis Bernhardt (he also directed the stellar flicks Conflict and The High Wall) and cinematographer Joseph Valentine for infusing this suburbia gone wrong drama with a haunting and compellingly atmospheric tone.

For fans who are in love with camera placement and visual design, there’s several, virtuosic point of view shots that places us in the mind and motivations of Louise’s character. Franz Waxman, whose composing work includes A Place in the Sun and Sunset Boulevard, delivers the appropriately spellbinding score.

It’s a stunningly photographed and beautifully acted piece, and if you’re a film noir enthusiast or initiate, I’d also recommend checking out the Blu-ray’s special features:

Featurette Possessed: The Quintessential Film Noir – Running over nine minutes, this segment contains interviews with film noir experts/authors/historians Dr. Drew Casper, Eddie Muller, James Ursini, and Glenn Erickson. The featurette gives viewers a primer on the noir genre as seen through the eyes and impact of Possessed.

Commentary by Film Historian Drew Casper – Although both the commentary and featurette were made back in 2005 for a Bette Davis/Joan Crawford DVD collection, both special features contain evergreen material. The Possessed commentary gives viewers a Film 101 lesson on film noir’s influence and history, and an enthusiastic Casper (who’s also a USC professor) is an absolute expert in the field, as he delves into Possessed’s cinematography and themes. He also details how German Expressionism served as an invaluable element of film noir’s fabric.

Possessed (Warner Archive)

Possessed is a Manufactured on Demand title. To order Possessed, please go to the Warner Archive Collection site.

Possessed

Director: Curtis Bernhardt
Producer: Jerry Wald
Screenplay: Sylvia Richards Ranald MacDougall – based on the novelette One Man’s Secret by Rita Weiman
Actors: Joan Crawford, Van Heflin, Raymond Massey, Geraldine Brooks
Running Time: 108 minutes
Released: Warner Brothers, May 29, 1947

Mia Pfirrman Is “Young and Beautiful” For ‘The Voice’ Playoffs

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Mia Pfirrman kicked off her Live Playoffs run on The Voice with her rendition of the Lana Del Rey track “Young and Beautiful.” I interviewed Pfirrman last week as she talked about being the last remaining girl on Team Adam. She also explained why being a perfectionist can be a detrimental quality, especially if one’s a performer.

During our two chats, Pfirrman was candid about her own vulnerabilities (stage fright, perfection) while also remaining humble about her success on The Voice. I know I’m posting this story past the Live Playoffs midnight hour, but hopefully these questions below give you further insight into this talented and ambitious artist.

With the Live Playoffs before us, this is an entirely new chapter for you.

This is definitely going to be a huge, different chapter. It’s going to be a lot more intense. I’m going to need to bring even more to the table if I want to continue on. At this point, it’s up to America.

What else can you bring to the table? You have a great command of your voice and a solid stage presence . . .

Thank you!

THE VOICE -- "Live Show"  Pictured: Mia Pfirrman  -- (Photo by: Trae Patton/NBC)
THE VOICE — “Live Show” Pictured: Mia Pfirrman — (Photo by: Trae Patton/NBC)

No worries. What aspects do you think you can improve upon?

Something I’ve been really trying to work on is “less is more.” It’s such a huge deal right now to listen to your coach and take in everything they say and (take) full responsibility. Less is more is definitely something I need to work on because I’m always trying to push it for “more, more, more” when (sometimes) I really don’t have to. That’s something I really need to work on for the Live Playoffs.

What’s the key for you in delivering a great performance and shaking off your nerves?

This is really funny – are you ready?

Yeah.

My way of not being nervous – it’s a cliche. My way of not being nervous is just to literally think that – this isn’t real, this is just me in my room, imagining the people in front of me. Imagining these cameras going around me, and it’s not real (laughs).

And once it’s over, I then remind myself that this is real. So that’s my only way . . .

When did you learn how to do that?

I actually have been the worst person (in dealing with) stage fright. Every performance I’ve ever given before The Voice, even if it was in a small coffee shop, I was just a basket of nerves. I don’t know why. It never went away and I was always just so scared to get up in front of people because I’m a perfectionist.

Being on this show, knowing that nobody is perfect and nothing can be perfect, it really helped me. Just singing in front of the coaches alone is the biggest confidence booster.

http://youtu.be/LEddL44o-5I

Do you see this experience on The Voice as a form of education moving forward?

This is my career plan. I do feel school and work is important, but right now I really want to focus on this being my job and my life. Sometimes it doesn’t work out. Sometimes people don’t really go further with their plans for different reasons and I think it’s really up to the person to keep fighting for what they really want. And that’s the only thing I’ve got to do.

Are you okay with being a perfectionist, or does it have its drawbacks.

It’s not okay to think of yourself as a perfectionist when you’re working in this industry. It’s probably the worst thing you can do. If I have any advice for anybody – Adam has taught me that the most imperfect performance could be the best one. Here I am really focusing on every note that’s coming out and making sure it’s perfect. That can ruin a performance. It can just turn everything into a really crappy job.

Being on the show, it’s taught me so much and I’m straying away from that slowly but surely. With the help of Adam, I think I can get there a lot quicker.

THE VOICE -- "Live Show"  -- Pictured: Mia Pfirrman  -- (Photo by: Trae Patton/NBC)
THE VOICE — “Live Show” — Pictured: Mia Pfirrman — (Photo by: Trae Patton/NBC)

Dumb question – what’s it like being on a Team Adam, which is now basically a sea of dudes?

(laughs) Yeah. I was really nervous about the fact that I was the last girl standing on Team Adam. But these guys are amazing, they are like my big brothers. I’ve grown so close with them already and I couldn’t be happier that I have them just to help me and guide me. They look at me as their little sister now and we’re just fighters.

We’re really excited to be working with each other and a lot of people say that I have an advantage being the only girl, but Adam loves his boys so (laughs) I don’t know how it’s going to turn out. All I know is that I’m really, really blessed.

Thanks again for your time Mia and good luck with the Live Playoffs.

Thank you so much!

Matt McAndrew Gets His “Feet Wet” For ‘The Voice’ Live Playoffs

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Matt McAndrew‘s Knockouts performance of “Drops of Jupiter” has propelled him into The Voice’s Live Playoffs, and this multi-skilled singer/songwriter has also proven that he’s a capable performer. McAndrew also has an earnest and humble manner in communicating with his fans and the press, qualities which should serve him well throughout the competition and, more importantly, his music career.

During our recent interview, McAndrew about “Drops of Jupiter” and why having a clear vision as an artist is an important element in his journey.

THE VOICE -- Season: 7 -- Pictured: Matt McAndrew -- (Photo by: Paul Drinkwater/NBC)
THE VOICE — Season: 7 — Pictured: Matt McAndrew — (Photo by: Paul Drinkwater/NBC)

You’ve received a ton of support from your fan base throughout your journey on The Voice. That must mean a lot to you.

It’s a new kind of phenomenon. Obviously I’ve done it for a long time where you’re just doing it because you just believe in you and you hope that other people would get behind it. So it’s just interesting actually have that happening.

It’s helpful – instead of just going and playing gigs at a chatty room or bar and not having people respond. Obviously it’s easier and more fun when you have a supportive fan base.

How much has your workload been the last couple of weeks going into the Live Playoffs. Of course, it’s a good thing . . . 

Yeah, oh it’s great. I’ve been able to get enough sleep so far. That’s something I’m usually pretty good with. I always try to get eight hours or so. At this point in the game, it’s still possible for me – you might have to come home and send yourself directly to bed. But it’s great because the busy things we’re doing – the film, the interviews, and rehearsals – are things I love to do.

Can you talk about your Knockout rounds with Rebekah Samarin, as well as your choice of “Drops of Jupiter” as your song?

I hadn’t heard her song going into the Knockouts. So I had just my blinders on and I was working on my song and making sure it was the best that it could be. It was great, I said something on Twitter that I had a front row seat to her performance. I thought she did really, really well. It was a good day for both of us.

As far as “Drops of Jupiter” goes, I thought it would be cool as far as the arc of my performances on the show to do something like that. To get away from the guitar, which is not typical for me, but it’s a good opportunity for me to grow a little bit. I honestly had a blast and the main thing I wanted to do is go out there and not be nervous at all. I felt like, by far, it was the best performance I’ve done on the show and maybe the best performance I’d ever done.

http://youtu.be/VSo4Q25R8rs

What’s The Voice Live stage like. Are you excited to perform on a bigger stage?

It’s definitely cool. It’s weird because it’s not a very gradual change. You do the Blinds and then the next couple of stages are similar and this is like we’re going into rehearsals here and they are like “Oh yeah this is going to do this and this is the TV and this is all going to move.” All this crazy stuff.

So it’s a really big leap as far as the level of production. I’m excited to get my feet wet.

Has The Voice given you more fuel and momentum in continuing your music career?

I’m a pretty stubborn guy so I would have just been trudging along anyways. I kind of can’t help but to write songs. I would say it’s been such a tremendous boost of confidence being on the show and I think that’s what I’ll be taking with me more than added determination.

Having a laser focus on what you want to do is a good thing as well.

Yeah. I kind of pride myself on having a pretty good vision. The weird thing being involved (with music is) it’s not like becoming a school teacher or something where you can give somebody a set of instructions on how to get there.

It’s a total free for all – so you really have to have a vision of who you are and what you’re doing and what’s the next step. All the time. I think every artist needs a compass because there’s no clear cut way of how to get from being a small town kid to playing at the Grammys, you know?

Thank you for your time and take care!

Thanks so much man, I appreciate it!

The Voice Live Playoffs begin tonight on NBC (8 pm et/pt). For more info on Matt McAndrew, check out his official site.

‘The Voice’ Artist Taylor John Williams On Songwriting, Portland, & Team Gwen

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Though Adam Levine said he would “cry like a baby” if he wasn’t selected as his coach, Portland, Oregon native Taylor John Williams chose Gwen Stefani after his Blind Audition performance of “Heartless.”

Williams carries a laid back demeanor that shouldn’t be confused with nonchalance, as during the interview he gave an insightful take on the joys of songwriting and getting the chance to showcase his artistry on The Voice.

Williams’ skills were on display during the Knockouts with his rendition of the standout Gary Jules track “Mad World” (Williams’ studio version of “Mad World” is also excellent). During our interview, the musician talked about his passion for music, being coached by Gwen Stefani and Portland’s DIY music scene.

http://youtu.be/uvk_JXVrW28

What is it like having Gwen Stefani as your coach?

The time that we’ve had has been really valuable. Being able to work with anybody who’s been relevant for as long as she has is invaluable. At least for me personally, she’s been really helpful as far as the performance element of what we’ve had to do. She doesn’t try to much to mess up my voice or (deal with) the technical side of singing. It’s mostly been about connecting with the audience and delivering a killer performance. That is what’s gotten her where she is today.

On connecting with an audience, what was it like performing ‘Mad World’ during the Knockouts?

It was the first time on the show that I got to sing a song that really meant something to me. I still have a lot more to learn as far as what I’m doing stage, but just having that song really helped me reach a different level.

http://youtu.be/7nCRnqn1SkU

With the Live Playoffs upon us, is this a whole new chapter for you as far as the workload you’ve been undertaking?

Definitely a new chapter. The workload is exponentially more challenging and we’re having to learn a lot more.  It’s very quick as far as learning new songs and preparing for that big of a stage. It’s a whole different animal but at the end of the day, it’s the same thing. It’s about picking good songs and delivering performances people care about.

Have you been able to experience the music scene in Los Angeles. And what is the music environment like in Portland?

I haven’t really experienced the L.A. music scene other than what I’ve done on The Voice. Portland is a very DIY music scene. It’s a lot of independent musicians, and a lot of people grinding at home trying to produce EPs but it’s very, very cool. It’s a tough place to do anything big in. You kind of have to venture to the bigger cities, but I think it’s a great place to figure out your identity as far as your musicianship and what you want to do with your music.

After The Voice, will you move to Los Angeles or remain in Portland? Or maybe it’s not great to think that far ahead?

Everything couldn’t be more up in the air. I don’t know where this is going to take me and I’m not trying to think that far ahead because there’s a lot to do in the present. Everything about this experience has been very serendipitous. With each step, I try to take it slowly and be cool with wherever it ends up.

THE VOICE -- "Blind Auditions"  -- Pictured: Taylor John Williams -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Blind Auditions” — Pictured: Taylor John Williams — (Photo by: Tyler Golden/NBC)

Are you surprised with how far you’ve come on The Voice and is it hard to process the success you’ve achieved since you’re doing so much work in the moment?

Yeah, I think so. I think it’s something that is difficult to process, but at the same time it’s a positive thing because my inability to grasp the gravity of the situation is what’s helped me move forward. And it’s a reminder that I love music. That’s why I’m here. I’m not here to win a show. If that happens, obviously that’s incredible. I don’t think I’m letting the production element get me to caught up in all this.

It must be a thrill getting an audience’s reaction while you’re performing.

Yeah, of course. It’s one of those indescribable things when you have a moment – for me when I feel that the most is when I’m in a smaller venue, maybe 100 people or so. A very intimate crowd and everybody’s kind of hanging on every word. It makes you want to write more.

Just seeing people listen to words that you’ve written and feel something, feel what you feel, is incredible. I want to keep that feeling alive within me for as much of my life as I can – (that’s) the ultimate goal, I guess.

http://youtu.be/aFdJCdb-doY

Is songwriting an important part of what you do as a musician?

The music that’s touched me the most and gave me the chills, just as some people talk about melodies that give them the chills, is a really well constructed thought that is (delivered) lyrically.

I don’t know what it is about lyrics that are so fascinating because you can say something very plainly and it doesn’t resonate the same way than if you put it poetically or metaphorically. I don’t know why that’s so much more powerful – but it’s that mystery I love so much about writing.

Well again, thank you so much for your time and good luck on the Live Playoffs.

Alright. Thank you very much.

The Voice LIve Playoffs start tonight on NBC (8 pm et/pt)

THE VOICE -- Knockout Rounds -- Pictured: (l-r) Anita Antoinette, Bryana Salaz, Gwen Stefani, Ricky Manning, Ryan Sill, Taylor John Williams -- (Photo by: Trae Patton/NBC)
THE VOICE — Knockout Rounds — Pictured: (l-r) Anita Antoinette, Bryana Salaz, Gwen Stefani, Ricky Manning, Ryan Sill, Taylor John Williams — (Photo by: Trae Patton/NBC)

Tomorrow's the day mates. This $@#& is getting taken to the next level. Don't forget to download the Voice app. #teamtjw

A photo posted by Taylor John Williams (@mr.taylorjohn) on

‘The Voice’ Singer/Songwriter Reagan James Is Ready For Live Playoffs

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Instead of playing it safe, Reagan James changed things up last week by tackling Blu Cantrell’s standout R&B tune  ‘Hit ‘Em Up Style (Oops!).’ In context, it really wasn’t an unpredictable choice for James, who mentioned in our earlier Q&A that she wanted to explore different music genres.

James is now one of the artists featured on the The Voice’s Live Playoffs, which begin tonight on NBC (8 pm et/pt). Check out our new Q&A with the self-assured songbird, as she talks about her continued collaboration with Blake Shelton and getting the chance to perform on a new (and bigger) stage on The Voice.

Can you talk about your choice of Hit ‘Em Up Style (Oops!) as your knockout song?

I usually do songs that are a lot more laid back because I have a naturally breathy tone. I wanted to show a completely different side of my vocal ability and do something really intense, upbeat, and powerful.

‘Hit ‘Em Up Style’ has a great groove and I thought that people would remember it so I went with it. And I think it was a success – I’d say.

http://youtu.be/0oU2PYMVWuw

Continuing your collaboration with Blake Shelton, does part of that success comes from his lack of condescension. You guys are collaborating and he doesn’t act like some kind of expert who’s talking down to you.

It’s like a partnership almost because I bring something to the table and he perfects it and makes it the best it can be. He doesn’t talk down to me like – he talks to me like exactly how I am. I’m trying to be (the best singer/songwriter) and obviously I’m not. But everyday I work with him, I’m one step closer to that. I appreciate him so much.

Two part question. How crazy has your schedule been for the Lives and does it mean anything that you have a lot of momentum going into the Lives? Or is everything just unpredictable and you have to take it one step at a time?

It’s crazy, but it’s extremely worth it. The fatigue and the stress is worth it because the live shows are going to be absolutely amazing.

When you watch the show, the people that you think are going to win don’t even make it to the Lives. It’s totally unpredictable and I have no idea how it’s going to play out. I have my hopes and I have my ideas, but there’s no predicting. There’s no saying. I hope and I pray that I make it, and it’s been an amazing experience. Everything matters.

THE VOICE -- "Knockout Rounds" -- Pictured: Reagan James -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Knockout Rounds” — Pictured: Reagan James — (Photo by: Tyler Golden/NBC)

How much work do you put into the performing aspect of The Voice? Or does it come naturally to you?

I can perform pretty naturally. It’s very passionate, and I don’t have to work on that part very much. It’s the vocals that we put hours and hours into. I work super hard to perfect everything and yeah it takes a lot of work to get the to the best of my ability.

What are you looking forward to with the Live Playoffs?

I’m excited about performing on the stage. In the earlier rounds, the stage was fairly small – it isn’t huge. The stage gets a lot bigger in the Lives. The Live shows are crazy (with) the choreography and the way it all works is a lot different. And I’m stoked to be able to perform on that big stage. It’s going to be really cool.

I’m super nervous coming up to the show. But the day of (the show), I’m super relaxed. I have nerves, definitely. But the nerves don’t come from the performance.

I’m not scared I’m going to mess up the performance. I’m scared of the results. But I’m glad to be where I am and am feeling blessed and super excited for the future.

Reagan, thanks again for your time!

Thank you so much for having me.

THE VOICE -- Knockout Rounds - Pictured: (l-r) Craig Wayne Boyd, James David Carter, Jessie Pitts, Blake Shelton, Reagan James, Taylor Brashears -- (Photo by: Trae Patton/NBC)
THE VOICE — Knockout Rounds – Pictured: (l-r) Craig Wayne Boyd, James David Carter, Jessie Pitts, Blake Shelton, Reagan James, Taylor Brashears — (Photo by: Trae Patton/NBC)

‘The Voice’ Artist Luke Wade on Performing: “To Me, It’s Like Going Home”

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Luke Wade jumped right out of The Voice gate with a stirring and emotive rendition of “That’s How Strong My Love Is,” and with the four chair turn Wade picked Pharrell as his coach.

It was a solid move for Wade, whose R&B and soul passions originated from listening to his parent’s stacks (or excuse the pun, Stax) of records. With a couple of albums already under his belt (The River was released in March), Wade talked about receiving production insight from Coach Pharrell.

Check out our interview below as Wade talks about his journey on The Voice and why, whenever he’s on stage, it feels like he’s “going home.”

THE VOICE -- "Blind Auditions" - Pictured: Luke Wade -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Blind Auditions” – Pictured: Luke Wade — (Photo by: Tyler Golden/NBC)

You’re one of the frontrunners to win it all on The Voice. Is that, for lack of a better word, a good or bad thing?

The show is about the human connection between the audience and you. Being a frontrunner has nothing to do with how much you connect with people, because ultimately it’s their desire to help you get further that is going to push you through the show.

The disadvantage of being a frontrunner is that people think you may have it made already and you’re going to skate through – so maybe they’ll vote for someone they don’t think will make it but they also like.

At this point, I think it’s all about that human connection. The vocal performance is definitely probably the most important part of it. That’s my focus – I’m not going to be better or worse than anybody. I’m just going to be somebody who happens to be on a show and hopefully people will identify with that and want to save me.

THE VOICE -- "Knockout Rounds" Pictured:   Luke Wade -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Knockout Rounds” Pictured: Luke Wade — (Photo by: Tyler Golden/NBC)

 

Growing up you must have listened to a ton of Sam Cooke, Otis Redding, and Curtis Mayfield. Is that where some of your early motivations lie – R&B and soul of yesteryear.

My mom’s a dance teacher and in order for me to get my five dollar allowance as a kid – it went up to $10 when I got my driver’s license. I would clean my mom’s dance studio and all she would have over there was records. I would listen my dad and mom’s old records. It was some Otis, some Sam Cooke, a lot of Led Zeppelin though, and a lot of Beatles. A lot of Eric Clapton and a lot of Bob Marley.

Really when I got into soul music it was when I had the realization – I actually started singing because I had something to say. It wasn’t based out of an idolization of someone else. I wen through a lot of hard times as a young man and I needed to find a way to express that. Music was the way.

Soul music, the thing about it, is that you can say less and say more because it’s all about the soul (and) the inflection. You can say almost anything if you sing it right. That’s when I jumped down that rabbit hole and I guess ultimately it got me here.

http://youtu.be/qdrB88zMkhM

How much practice and preparation goes into the songs that are performed on The Voice. Do the artists have tons of prep time?

It varies from person to person greatly depending on their level of comfort and confidence. Because you can definitely over practice and over prepare. You definitely want it to be genuine and of the moment, and you can rehearse that out of yourself if you do it too much.

But you definitely have lots of time to prepare. We have lots of help. So you’re talking anywhere between a week and a whole month to prepare for these songs. It varies from performance to performance. You have your coach and you also have your vocal coach. So yeah – a lot of TLC.

It must also be great to have albums under your belt that fans can currently check out, along with your music on The Voice.

I’m so glad that I have that, because what this show is really about from a personal perspective – it’s about trying to catch as much lightning in a bottle as you can. The way I tell people to think about the show is that it’s not like someone is giving you a car and keys and you can drive wherever. Someone’s giving you fuel. If you don’t somehow build or acquire something to put the fuel in – like a team of people and a mechanism for going somewhere, it’s just going to be a really pretty explosion.

Those albums I have, and I have a great manager and a great booking agency, a road manager, and band, and great merchandising. All that great stuff in place, so for me it’s just amazing that I can take this and go from it being a career to a career that I want. So it makes all the difference in the world.

THE VOICE -- "Knockout Rounds" Pictured: (l-r) Luke Wade, Taylor Phelan -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Knockout Rounds” Pictured: (l-r) Luke Wade, Taylor Phelan — (Photo by: Tyler Golden/NBC)

Learning from Pharrell are you seeing a different angle to music, especially from a production standpoint?

Yeah, definitely. One of the first things he said to me was to not overthink and over feel. I’ve been doing this for 12 years, and I’ve been doing it professionally for 5 years. It means to stop trying to produce myself all the time and allow myself to be an artist. And allow people to help me with their perspective. It’s hard to read the label from inside the bottle. Sometimes you have to ask people to do that.

And that’s something I’m going to carry with me into producing and creating the next album. It’s just really getting someone whose ears and vision I trust to create something that shows everyone who I am more than I thought was possible.

Lastly, going into Lives, what is it like performing in front of people in general?

To me, it’s like going home. What happens is that we think that we’re all separate and that all of these things outside of us, and it might be material things or it might be the idea of a relationship or romantic love or something that we can find and reintroduce into ourselves that will make us whole.

The thing is, we’re all really the same thing and the same person. And whenever you can create a moment that you can share with everyone, you can remind yourself and everyone in the audience that’s where they belong. The thing we’re missing is that connection – the feeling that we’re all the same.

We can chip away at it with social media and it feeds it for a nanosecond at a time. But that moment on stage is where you can actually spend some time where you belong.

Luke, thank you so much for your time and good luck.

Well thank you so much.

The Voice Live Playoffs start tonight on NBC (8 pm et/pt)

Marion Cotillard On “Feeling Free” & Staying In The Moment

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Oscar winning actress Marion Cotillard (La Vie en Rose) teams with the Dardenne Brothers in the drama Two Days, One Night, the story of a woman who visits her co-workers to convince them to forego their bonuses to help her keep her job.

The picture opens in New York and Los Angeles December 24, and last week Cotillard was in Los Angeles to promote the movie. During the interviews, I asked Cotillard how she stays in the moment as an actress.

For Cotillard, having a good director behind the camera is of utmost importance, as well as developing a bond with the film’s cast and crew.

“If I feel free and if there’s a strong connection with the people I work with, it’s not hard for me to stay in the character.” 

To hear Cotillard elaborate on the importance of feeling free in her work (she also mentions La Vie en Rose in the clip), listen to the audio below:

Marion Cotillard in Two Days, One Night (IFC Films)
Marion Cotillard in Two Days, One Night (IFC Films)

‘The Voice’ Anita Antoinette On Perseverance, Team Gwen, & Finding Her Voice

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The oft-used catch phrase of singing from the soul is directed at many vocalists, but sometimes, as with the case of The Voice artist Anita Antoinette, the shoe simply fits.

She didn’t receive a chair turn during her first run on The Voice, but that disappointment drove her to higher creative ground, and now Antoinette has made it to the Live Playoffs with some aid from Gwen Stefani’s coaching.

As you’ll see from the following Q&A, the amicable and articulate Antoinette talked about being a Team Gwen member why taking risks is one of life’s more important elements.

You initially tried out during season 3 of The Voice but didn’t get the chair turn. But if you don’t succeed the first time, the story isn’t over. 

My mom is a Capricorn (laughs), my sister’s a Capricorn, (and) my dad’s a Capricorn. They’re very driven. My mom’s a single mom who raised us all on our own – four of us. Being able to do that – to carry your children from one country to the next and give them a life that they can be proud of – it’s definitely a testament to determination.

I think innately I have that from her – not taking “no” as a final answer. “No” is just a no right now. It’s what sets people apart, being able to fall down and how you get back up is (part of) life, you know?

THE VOICE -- "Knockout Rounds" -- Pictured: (l-r) Anita Antoinette, Craig Wayne Boyd -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Knockout Rounds” — Pictured: (l-r) Anita Antoinette, Craig Wayne Boyd — (Photo by: Tyler Golden/NBC)

Gwen Stefani is such an iconic and established performer. Did you feel an immediate connection? Or has that connection grown and strengthened during your run on The Voice?

Yeah it has grown. It definitely has strengthened as well. She sort of gets me (laughs). I knew that from the Blind Auditions. She said there was a connection going on and that’s very, very true. She’s an amazing performer and that’s what I needed help with – being able to get out on stage and be comfortable and free and know that everything would be okay. She’s been instilling that confidence in me.

She also has a great repertoire (in regards) to reggae music. She’s also a songwriter and so am I. She was grooving and dancing when she turned around in her chair for the Blind Auditions and that was so amazing. If you can groove with me, that’s perfect.

http://youtu.be/4v8nsvtzyRw

The Voice live stage looks a bit intimidating. Are you excited about performing on a bigger space?

The stage is a lot bigger (laughs). I did get to do my blocking and figure out what I’m going to do on stage. It’s definitely a little nerve wracking to go from that stage to the (live) stage. Because everything is so much bigger. My performance has to be bigger. My voice has to be bigger. Everything sort of has to match the stage.

But I’m still excited – that’s the whole point of developing and growing – you just take it to that next level every time.

I’m sure the workload has been intense. Have you been able to take breaks now and again with your hectic schedule?

Yeah. A lot of media stuff. Believe it or not, social media has been a huge part of it. On the schedule, it may look like we have a break, but we have to stay on top of connecting with people – because it’s important.

Being able to connect with people other than with music, but in real life – that’s also something that can take time but it’s definitely worth it. The wonderful feedback that we have received through social media and from our fans really do help us as well. That’s a huge part of what we do.

Just being able to go through the day and get everything done. Our interviews and press shoots – it’s a lot of work but l wanted to make sure I was ready for the blood, sweat and tears that would go into this.

Also being able to take that break is important as well. (Taking a break) is a part of working as a musician. Especially as a singer, you need that time to rest your voice. It’s an instrument and a part of your body.

THE VOICE -- Season: 7 -- Pictured: Anita Antoinette -- (Photo by: Paul Drinkwater/NBC)
THE VOICE — Season: 7 — Pictured: Anita Antoinette — (Photo by: Paul Drinkwater/NBC)

Is connecting with the audience one of your most important goals?

As an artist, my #1 goal is to always keep that human element within music – that connection. Making sure that people can see what it means to dream and how important it is to go after your dreams.

I definitely want to inspire people because not a lot of – I’ll be honest there are not a lot of people in television that look like me. A tiny little black girl with dreads (laughs) that’s doing her thing. I think it’s important that a lot of people who look like me – or even don’t look like me – get to see me. For them to not be afraid to dream big and go after their dreams.

That’s the root of life – is being able to take risks and explore. That’s what I’m doing it for. I’m doing it to inspire people to just dream big.

http://youtu.be/RbJeZ74pIVM

Well thank you so much for your time. A great interview and again, thanks!

Absolutely. Have a great day.

THE VOICE --  "Battle Rounds" Episode 709 -- Pictured: Anita Antoinette -- (Photo by: Tyler Golden/NBC)
THE VOICE — “Battle Rounds” Episode 709 — Pictured: Anita Antoinette — (Photo by: Tyler Golden/NBC)

The Voice begins its Live Playoffs Monday night on NBC (8 pm et/pt)

http://youtu.be/Q9HYtOqU-MM

 

Film Tips: ‘Starry Eyes’ Directors Kevin Kolsch & Dennis Widmyer On Managing Your Budget

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StarryEyesPoster (Facebook)

Opening November 14 in select theaters, iTunes, and On Demand, Starry Eyes centers on  Sarah Walker (a perfectly unhinged Alexandra Essoe), a part-time waitress and struggling actress who lands the biggest audition of her lifetime. The project is for a horror film, and although she did receive a callback, Sarah must go through dangerous and morally questionable lengths to finally land the job.

Directors Kevin Kolsch and Dennis Widmyer have crafted an unnerving and viscerally thrilling look at the ravages of Hollywood. Nathaniel West’s Day of the Locust, David Lynch’s creepier than thou Mulholland Falls are all indirect influences to Starry Eyes, and credit goes to the filmmakers for giving their own spin on this woman’s descent into Tinseltown’s unforgiving netherworld.

In the following interview, Kolsch and Widmyer offer up salient directing advice.  “The first thing would be don’t wait,” said Widmyer, who has been collaborating with Kolsch for over 20 years.

For more info on the film, check out Starry Eyes, please go to its official Facebook page.

‘Constantine’ Actress Angélica Celaya Delivers With ‘Zed’ Appeal

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Constantine is new to the television game, but thanks to a solid creative team (producers Daniel Cerone and David S. Goyer) and a pitch perfect performance by Matt Ryan as “hellblazer” John Constantine, the show is off to a great start.

A big part of my continued excitement comes from Angélica Celaya’s work as Zed, Constantine’s new partner-in-crime who, like the titular anti-hero, has a few intuitive powers of her own. While Constantine is an expert in the black arts, Zed’s psychic abilities enables him to solve his demonic adventures in an expedited fashion.

Hellblazer comic book enthusiasts already know that Zed has family issues of her own, and her sarcastic and individualistic nature, coupled with Constantine’s devil may care attitude, makes them a perfect (if not verbally combative match). She’s a person who’s filled with self-confidence and determination, qualities Celaya undoubtedly shares.

“I’m the only girl with older brothers,” Angélica Celaya, who played Angela Flores on Burn Notice. “And with that, I’m also the smallest of my siblings. You have to step up on your own and have a voice. Because your brothers are not going to pay attention to you and you’re not going to be able play baseball on the street. That’s what happens. So definitely my family helped me get that voice.”

Zed and Constantine’s back and forth banter is not the only reason to tune in to the show, as a rogue’s gallery of memorable characters are just around the corner. “Tonight we have Papa Midnite,” adds Celaya. “He’s one of the best villains ever and in my opinion he’s one of the best dressed cast members. We’re all dressed in these dark colors and Papa Midnite comes in with these beautiful clothes and nice silk shirts (laughs)! He’s an awesome villain – he’s just too cool for school.”

CONSTANTINE -- "The Devil's Vinyl" Episode 104 -- Pictured: (l-r) Michael James Shaw as Papa Midnite, Matt Ryan as John Constantine -- (Photo by: Tina Rowden/NBC)
CONSTANTINE — “The Devil’s Vinyl” (November 7, 10 pm et/pt) — Pictured: (l-r) Michael James Shaw as Papa Midnite, Matt Ryan as John Constantine — (Photo by: Tina Rowden/NBC)

 

Constantine, starring Matt Ryan and Angélica Celaya, airs tonight on NBC (10 pm et/pt).

I really love Celaya’s addition to the show, as she and Ryan have a natural chemistry.  If you want a closer look at what Zed’s all about, check out the featurette below:

http://youtu.be/Nwtt4Eapeyk

CONSTANTINE -- "The Devil's Vinyl" Episode 104 -- Pictured: (l-r) Matt Ryan as John Constantine, Angelica Celaya as Zed Martin -- (Photo by: Tina Rowden/NBC)
CONSTANTINE — “The Devil’s Vinyl” (Airing November 7, 10 pm et/pt)– Pictured: (l-r) Matt Ryan as John Constantine, Angelica Celaya as Zed Martin — (Photo by: Tina Rowden/NBC)