‘Sonic The Hedgehog’ Blu-ray Giveaway!
I’m very excited to announce that I have Five (5) Blu-rays of Sonic The Hedgehog up for grabs. The discs, all of which are sealed, also come with the Digital Code and the DVD! Entry details are below!
‘Hearts of Darkness: The Art of Eleanor Coppola 4K Collector’s Edition’ Lands Lionsgate Limited Release May 19
The work of critically acclaimed filmmaker Eleanor Coppola gets a huge spotlight on physical media next month courtesy of Lionsgate. Hearts of Darkness: The Art of Eleanor Coppola 4K Collector’s Edition will be released May 19 exclusively at Lionsgate Limited. A ton of special features are featured in the collection. Read our post for details!
Read more: ‘Hearts of Darkness: The Art of Eleanor Coppola 4K Collector’s Edition’ Lands Lionsgate Limited Release May 19
The collection includes the Lionsgate Limited extra Eleanor Coppola: Art Is All Around Us as well as previously released features The Making of Hearts of Darkness and audio commentary from Eleanor and Francis Coppola. Hearts of Darkness, which details the making of Francis Ford Coppola’s Apocalypse Now, was co-direced by Coppola, Fax Bahr, and George Hickenlooper.
Disc three of the collection features an array of Lionsgate Limited extras featuring Eleanor Coppola’s work. Projects featured include four 1976 shorts (Peeling a Potato Is A Work of Art, Victorian House, Joyce Goldstein, Refrigerator) and several documentaries (which include A Visit to China’s Miao Country, Circle of Memory, Coda: Thirty Years Later). Also included are on set visits to the movies The Virgin Suicides, The Rainmaker, Marie Antoinette, and CQ. Coppola’s last feature was the 2020 release Love Is Love Is Love which starred Rosanna Arquette, Chris Messina and Kathy Baker. Coppola, whose other directing credits include the 2016 film Paris Can Wait, passed away in 2024.
Coming out May 19 via Lionsgate Limited, Hearts of Darkness: The Art of Eleanor Coppola has an MSRP of $79.00. The release comees with the 4K Ultra HD, Blu-ray, and a Digital copy.
Are you a fan of Hearts of Darkness and Eleanor Coppola’s overall work? Share your thoughts in the comments!
Listen to our weekly movie review podcast CinemAddicts. We review Amrum, Wasteland, and Eaglese of the Republic on the lateset episode:
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Stephen Graham And Andrea Riseborough Thriller ‘Heel’ Hits Blu-ray And DVD May 26
Heel, a first rate thriller starring Stephen Graham and Andrea Riseborough, arrives on Blu-ray, DVD and On Demand May 26. Directed by Anniversary filmmaker Jan Komasa, the feature stars Anson Boon as Tommy, a 19-year-old hooligan whose debauched evening leads to a fateful encounter.
Read more: Stephen Graham And Andrea Riseborough Thriller ‘Heel’ Hits Blu-ray And DVD May 26
Chris (Stephen Graham) is the family man who kidnaps Tommy and initially chains him to his basement in an attempt to reform his behavior. As the narrative progresses, Tommy ingratiates himself and may actually become an extended member of the family. Andrea Riseborough co-stars as Tommy’s introverted wife and Kit Rakusen co-stars as their 10-year-old son Jonathan. Rounding out the ensemble are Savannah Steyn and Monika Frajczyk.

“(Tommy) is imprisoned on a leash, on a chain like a dog,” said Komasa, whose previous credits include The Hater and Corpus Christi. “His strategy is just to cooperate with them. Internally, he wants to just find a way to escape when he gains their trust. So he has to lie to them.”
Check out my full interview with Jan Komasa for more Heel insights:
Although Graham and Riseborough are Heel’s top stars, Anson Boon steals the show as the troubled and erratic Tommy. With his work on MobLand and Heel, Boon is an actor on the rise. The film’s third act was, at least for me, was a total surprise regarding Tommy’s ultimate decision.
Running at 110 minutes, the R-rated Heel hits Blu-ray, DVD and On Demand May 26 via Magnolia Home Entertainment. The standard retail price of the Blu-ray is $29.98 and it’s $26.98 for the DVD.
Share your thoughts on Heel in the comments!
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Screenwriting Tips From Mārama Director Taratoa Stappard: Apply, Apply, Apply!
Mārama was the first feature length script that director Taratoa Stappard ever wrote, and he talked to Deepest Dream about finishing his screenplay. The movie hits theaters on April 17, and Stappard ultimately pitched his movie as a Gothic horror film that is akin to “Get Out meets Lady MacBeth.” Check out our full interview in the post as he talks about Mārama, his personal connection to the Maori culture, and how he was able to finish his screenplay.
Read more: Screenwriting Tips From Mārama Director Taratoa Stappard: Apply, Apply, Apply!
Taratoa Stappard spent nine months in 2020 as part of the imagineNative Indigenous Screenwriting Intensive in Toronto. “They literally paid us a little stipend,” said Stappard. “And I was also receiving feedback from my fellow writers and from top standard script consultants. That might not be a very useful answer because not everyone can get in on the indigenous screenwriting intensive, obviously. But it’s what allowed me to finish the first draft of my first ever feature screenplay. It was the first screenplay I’ve ever written.”

Set in 1859 Victorian England, Mārama centers on Mary (Ariana Osborne), a Maori woman who traveled from New Zealand on a 73-day trek to gain information on her parents. Toby Stephens is Nathaniel Cole, a rich former whaler who lords over the people around him. An exploration of cultural “theft” and the many faces of horror, Mārama boasts a layered performance from Osborne and an immersive storyline. It’s a standout gothic horror that is worth a trip to your local cinema.

“Ariana is the film . . .she smashed it out of the park,” said Stappard, who admittedly got emotional at times watching Osborne at work. “Come and see this film, just to see a star in the making in my obviously biased but humble opinion.”
The oft-used phrase “write your own story” certainly applies to Stappard, and his resilient efforts in developing and finishing his screenplay also led to a writers program at the Toronto International Film Festival and a program called the ZFF Academy at the Zurich International Film Festival.
“I would recommend to anyone who is writing like I was for the first time,” said Stappard. “Just apply for every single possible program you can with your treatment, your first draft – whatever it is they need. And I would suggest maybe avoid those ones that charge you $50 or $100 to apply because that’s bulls**t (and) a Ponzi scheme. Apply to the ones that are free for application. Yes, there will be a lot of other people applying for it (but) it changed everything for me because it alllowed me to receive useful (and) actionable feedback.”

Full interview with Taratoa Stappard:
Catch Mārama in theaters April 17 and share your thoughts on the movie in the comments!
The Monkees ‘Good Times! (10th Anniversary Deluxe Edition)’ 2CD Set Lands May 29
In celebration of the 60th anniversary of The Monkees, Rhino will release Good Times! (10th Anniversary Deluxe Edition) on May 29. The 2CD version of the acclaimed 2016 release includes unreleased versions of every album track and four rare session outtakes. If that release doesn’t suit fans of the band, there is another option available.
Read more: The Monkees ‘Good Times! (10th Anniversary Deluxe Edition)’ 2CD Set Lands May 29
Also releasing May 29 is an audiophile vinyl edition of the original album that is part of the Rhino Reserve series. The 180-gram pressing, cut from the original analog masterts and pressed at Fidelity Record Pressing, will be released through indie retailers and Rhino.com.
Just made available today on digital today is “A Better World,” a track previously featured on the physical EP release of Good Times! Plus!.
Although I have not listened to the entire Good Times! album, I am all too familiar with the wistful “Me & Magdalena.” My wonderful niece, whenever we spend time at the family home, frequently says “Alexa, play Me & Magdalena.” Even after over 100 listens, that song never gets old:
Micky Dolenz has also kicked off his 27-date “60 Years of The Monkees” tour, and he performs today and tomorrow at The Barns in Vienna, VA. Here’s a full list of his touring schedule:
Saturday, April 18 Tarrytown Music Hall, Tarrytown, NY
Sunday, April 19 Paramount, Huntington, NY
Thursday, May 7 Tulsa Theatre, Tulsa, OK
Saturday, May 9 Majestic Theatre Dallas, Dallas, TX
Monday, May 11 Paramount Theatre-Austin, Austin, TX
Wednesday, May 13 Tobin Center for the Performing Arts, San Antonio, TX
Sunday, May 24 Abbey Road on the River, Jeffersonville, IN
Friday, June 26 Hard Rock Live Orlando, Orlando, FL
Sunday, June 28 Capitol Theatre, Clearwater, FL
Tuesday, June 30 City Winery Atlanta, Atlanta, GA
Thursday, July 2 City Winery Atlanta, Atlanta, GA
Thursday, July 9 Fraze Pavilion, Kettering, OH
Saturday, July 11 Hoover Auditorium, Lakeside, OH
Sunday, July 19 Uptown Theatre Napa, Napa, CA
Saturday, September 12 The United Theater on Broadway, Los Angeles, CA
Tuesday, September 29 Greg Rowles Legacy Theatre, Myrtle Beach, SC
Thursday, October 1 The Historic Beacon Theatre, Hopewell, VA
Saturday, October 3 Borgata Music Box, Atlantic City, NJ
Thursday, October 15 The Palace Theatre, Greensburg, PA
Saturday, October 17 Riviera Theatre and Performing Arts Center, North Tonawanda, NY
Sunday, November 1 Rialto Square Theatre, Joliet, IL
Friday, November 6 MGM Northfield Park – Center Stage, Northfield, OH
Sunday, November 8 Hoyt Sherman Place, Des Moines, IA
Friday, November 13 Family Arena, St. Charles, MO
For tickets go to Mickey Dolenz’s site.
Will you be shelling out the bucks for Good Times! (10th Anniversary Deluxe Edition)? Share your thoughts on the album in the comments!
‘The Travel Companion’ Review: Deadpan Comedy On Filmmaking And Friendship Resonates

Having narcissistic friends, lovers, and/or family members makes for a complicated relationship. Mix that frustration with the battles of indie filmmaking and one gets the refreshingly layered yet subtle The Travel Companion. Directed by Travis Woods and Alex Mallis, the feature centers on Simon (Tristan Turner), a documentarian who is stuck in a creative rut. His sole joy is taking advantage of the free flights courtesy of his best friend (and airline employee) Bruce (Anthony Oberbeck). When fellow filmmaker Beatrice becomes a possible girlfriend for Bruce, the “travel companion” status of Simon is in jeopardy! Check out my full review below!
Read more: ‘The Travel Companion’ Review: Deadpan Comedy On Filmmaking And Friendship Resonates
The biggest challenge of The Travel Companion is having patience with Simon, as his “me first” behavior is alienating. A bit of patience is needed if uncomfortable humor is not your thing.
Running a brisk 91 minutes, this New York dramedy conveys the self-centered actions filmmakers might have in mounting their respective projects. Simon has been working on his documentary (which deals with physical and self-imposed borders) for several years and he is simply at wit’s end. When he sees Beatrice having success in her career and best friend/roommate Bruce enjoying his life, Simon might feel the world is passing him by.

Amidst all his struggles, Simon continues to make mistakes, and his lack of accountability might lead him down an even more miserable path. Can he finish his dream movie and still keep his friends? Plus, what happens if his travel companion status is handed over to Beatrice?

The Travel Companion, along with being an engaging narrative, is also a value added look at the costs of narcissim. Although filmmakers Travis Wood and Alex Mallis don’t hit us over the head with this message, the final moments were surprisingly resonant.
To find out if and when The Travel Companion plays in your respective city, visit its official site.
Full review is up on CinemAddicts and YouTube:
‘Serpent’s Path’ Review And Ending Explained: A Haunting Kiyoshi Kurosawa Thriller
A 4K Restoration of Serpent’s Path and the 45-minute short Chime is now playing in Los Angeles, and CinemAddicts co-host Bruce Purkey reviewed the 1998 movie on the latest episode. Most of the review is spoiler free, but if you have already seen the film there is a quick spoilers section at the end of the talk. Details on Serpent’s Path is featured in our post!
Read more: ‘Serpent’s Path’ Review And Ending Explained: A Haunting Kiyoshi Kurosawa Thriller
Serpent’s Path centers on a low level yakuza member named Miyashita (Teruyuki Kagawa) who seeks revenge for his young daughter’s killing. He recruits math teacher Nijima (Sho Aikawa) to capture the alleged murderer (Yurei Yanagi), and they team up to torture that man in a hidden warehouse. The vengeance plot gets even more complicated when more suspects come into view.

Running at 85 minutes, Serpent’s Path was Kurosawa’s follow-up to his 1997 international hit Cure. In 2024, Kurosawa released a remake of Serpent’s Path, but this version was set in France.
Check out Bruce Purkey’s full review of Serpent’s Path below in audio and video form (Spoilers start at 10:07) :
Serpent’s Path and Chime are now playing in Los Angeles at the Alamo Drafthouse DTLA, Laemmle Monica and Laemmle Glendale. Additional dates will follow throughout this month.
Share your thoughts on Serpent’s Path and Chime in the comments!
Liv Ciara Talks ‘The Voice: Battle of Champions’ And The Beauty Of Taking Risks

Liv Ciara did not receive a chair turn on season 28 of The Voice, but that did not stop her. She tried out again for The Voice: Battle of Champions and now she is in the Top 9 performing on tonight’s episode. Ciara talked to Deepest Dream about the hard working and emotional journey on finally making the show and why she loves taking risks.
Read more: Liv Ciara Talks ‘The Voice: Battle of Champions’ And The Beauty Of Taking Risks
On season 28’s blind audition, Liv Ciara chose Sabrina Carpenter’s “Espresso.” Though the track showcased her vocal dynamics, it did not yield a chair turn. For The Voice: Battle of Champions she went for the more emotional Ariana Grande track “we can’t be friends (wait for your love)” and she received a chair turn from Kelly Clarkson and John Legend.
“I opened my eyes and saw them there,” said Ciara who picked Clarkson as her coach. “I remember I immediately glued my eyes shut again. If I look at these people that turned for me, I might collapse. I kept my eyes off of them and to the audience for the rest of performance. And then at the end of it, I kind of just let myself have a moment.”
Just 16, Ciara has a knack for emotionally connecting to the music. Case in point is the track “Behind The Door,” a song that is inspired by her journey on The Voice.
“‘Behind The Door’ is definitely one of my favorites because it really captures the feeling of ‘Okay I’m here now,'” said Ciara about the song which is featured on her EP Out Loud. “There’s been doors that have been closed but there’s this door that could potentially open for me – what’s behind it? Is this something worth fighting for? And I kind of wrote the song actually after not getting a chair turn.”
One of the Ciara’s main goals in The Voice: Battle of Champions was to keep on taking risks, an approach exemplified by covering the Kelly Clarkson hit “Breakaway” during Knockouts.
“If I’m gonna be here, I’m gonna give it a 100%,” said Ciara. “I want to prove that even though I’m young and there was so many other young contestants on the show, and I wanted to prove that there are young people that can sing and that have all these talents. But it is so important for them to take a risk and truly believe in themselves.”

Full interview with Liv Ciara:
Catch Liv Ciara tonight on The Voice: Battle of Champions at 9/8c and streaming next day on Peacock.
JW Griffin Talks ‘The Voice: Battle of Champions’ Impact And New Single ‘Tend The Flame’

JW Griffin is one of the top 9 artists competing tonight on The Voice: Battle of Champions. He’s part of Team Kelly, and Griffin talked to Deepest Dream about his overall experience on the show and how it has impacted his career. He also discusses his new single, a catchy tune titled “Tend The Flame.” Full interview is below!
Bren Foster Reflects On “Deeply Layered” Role in MMA Drama ‘Beast’
Bren Foster stars in Beast as MMA champ Xavier Grau, a determined warrior who wants a rematch with former fighter Patton James (Daniel MacPherson). On the surface level, Grau is the narrative’s antagonist as his take no prisoners approach doesn’t win him any fans. That said, Foster talked to Deepest Dream on why Grau is actually a “deeply layered” character. Foster also reflects on how his mother and his martial arts background has been pivotal to his approach to acting and directing (he also talks about his upcoming directing effort Relentless). Check out our full interview below!
Read more: Bren Foster Reflects On “Deeply Layered” Role in MMA Drama ‘Beast’
Beast is a fantastic film. What was your thoughts on the final cut and can you discuss the biggest challenge of making the movie?
Bren Foster: Well, Greg, I actually still haven’t seen the final cut, so I’m waiting to see the whole movie.
From what I’ve seen, it looks fantastic. Every martial arts action type movie can get, pretty hard. And it’s just a matter of people around you understanding what you’re trying to create with the fights. Once they do, generally it gets a little bit easier.
(Also) trying to execute the fight scenes at the highest level possible (and) making it look real – committing to it a hundred percent. Putting speed and power and emphasis without obviously hurting your partner. So I think that that was probably the most difficult thing that we had to do.
Can you just talk about the layers behind your character for this film? He’s not a one-dimensional antagonist which I appreciated.
Bren Foster: Well, firstly, thank you. I’m glad you really picked up on that. He’s a human (and) he’s someone who has worked his ass off to get where he is. The training sessions, the fights, everything that he’s been through to get to the top. It’s everything to him; it’s his whole world.
He’s competitive and he’s a warrior and he doesn’t want to take a step back. No one gave him this title. The one loss that he had, which was embarrassing to him, was against Patton back in the day. So he really wanted to avenge that loss.
(Fighters are) human. They’re not these stoic one note soldiers. They’re actually human beings. So yeah, he’s extremely layered. Fighting means everything to him. It’s just a human being trying to hold onto what he has given his life to and what he’s tried to earn.
So yeah, thank you for noticing that, that he come across as deeply layered.
For him to be successful, he has to be very hyper-focused. Can you can relate to that focus, because I’m assuming to have a successful life in the martial arts, as well as being an actor and a filmmaker, one needs to have that focus.
Bren Foster: It all comes down to my martial arts training and to my mother early on. She started me in martial arts when I was six years old. Just the way traditional martial arts is structured like your next belt, your next goal.
I was fighting overseas when I was 16 years old and I had my first kickboxing match when I was 12. I fought in Hong Kong, in Thailand, in Europe. One thing the martial arts taught me if, if you want to do something properly. you’ve gotta go and study it and put the work in.
So in my mid-twenties, I auditioned for one of the top drama schools – the University of Western Sydney Theater Department out here in Australia. And I managed to get a position in there. For the next three years I was there studying. In addition to that, (I was) studying with other acting teachers.
(Also), I was always seeking out different martial arts instructors. When I moved to United the United States, I found Ron Beliki, who was just an encyclopedia (when it came to) Filipino martial arts. So it’s just that focus and neverending quest for knowledge. I’ve just been able to put that determination, that drive, and that commitment into all these different areas to running a martial arts school and having my whole family around me at that martial arts school in Australia.
Pursuing acting and making films and just putting that level of focus and commitment, which is born from my martial arts training into my everyday life. It’s completely the reason why I’m able to have focus and relative success in so many different areas. It’s because of the focus that martial arts has given me.
I love films like Beast because it teaches us, that, shows us that something we already know, that it’s just about winning. It’s how you also take the punch. For you is taking the punch and maybe your losses a better teacher than your successes? Or is that putting too fine a point on, on the whole thing?
Bren Foster: No, Greg, you’re right mate. You are so right. Everything, myself or other people, everything that I’ve worked for, I’ve had failures in as well. And I think you have to have a really good relationship with failure because that’s where you learn the most, and that’s where you can also be given your second wind of drive and aggression to keep going.
A lot of people can fail sometimes, and then they just (say), “I’m done.” The towel’s thrown in. But luckily again, because of my mother, if I failed at something she would say, “Get up, go again.” And that’s also a testament with the martial arts. Sometimes you can fail, but sometimes people quit in our school if they fail a ranking.
But there’s a big strong drive to get up and to go again. Look, you’ve gotta have a good relationship with failure and you’ve gotta be okay with it. And it generally gives you the wherewithal to get up and to go again. And if you show me a person who has never failed at anything, I’ll show you a person who has never done anything.
We all fail. We’ve just gotta get up and, and, and keep going. And trust me, I’ve failed many times.
Thank you so much for your time. I have a couple more questions. First off, after really loving Beast, I can’t wait to watch Life After Fighting, and I think you have another film directing film coming up. I think it says on IMDB – it’s called Relentless?
Bren Foster: Yes.
How does directing really fill your cup, supposedly? What’s the challenge in that and why do that when that’s an extra job you have to do on top of all the things you do on a daily basis?
Bren Foster: We did Life after Fighting, which has this massive underground cult following at the moment. (With) Relentless, which we have really, really pushed the boundaries.
(Relentless is) probably the hardest thing I’ve ever done. But the beauty about being able to write and direct is it allows me to really put my heart and soul into everything. With other jobs, they’re fantastic, but you have to also work with other people and facilitate their ideas and their passions and navigate to a common understanding.
But with Relentless, obviously there’s collaboration with the other actors, but in terms of the story and the direction and also playing the lead role, I can really put my heart and soul (into it). I don’t really have to navigate around other people to make the film. Because I’m at the helm on this one. The commitment from the other actors (on Relentless) was just through the roof.
Two weeks after Relentless finished, I didn’t move. I was just lying down on the couch, mate. But look, if anything’s worth doing, it’s going to be hard, right?
Hopefully everyone responds to it really well at the end of the year when it comes out.
Can you name a film that made its imprint on you like that? A movie that was so impactful for you that made you want to become a filmmaker and actor because you put a lot of dedication and, like you said, heart and soul into your work.
What was that movie when you were 12 or 13 that did it for you and set you on that path?
Bren Foster: When I was 12 or 13 – I would probably say Best of the Best.
I’ve never seen it.
Bren Foster: It has Phillip Rhee, Simon Rhee, Eric Roberts, Christopher Penn. It’s a classic martial arts movie where the American karate team takes on the Korean Tae Kwon Do team. James Earl Jones is in it.
It a wonderful film. But look, Greg, I’ve had so many, especially Asian cinema growing up. The Bruce Lee movies, Golden Harvest, Raymond Chow. All those films, I was obsessed with them Bloodsport to Kickboxer to Best of the Best.
When I was a kid, I was just enamored by all of them. So I can’t really pinpoint one, but just ’cause you said that age, I remember seeing Best of the Best at that time and that had such a profound effect on me too. What can I say? But in film in general, from everything from The Goonies to Gremlins to everything when I was was a kid. I absolutely love them all, mate.
Thanks again for your time. Really love Beast and looking forward to watching more of your films down the road.
Bren Foster: Thank you, Greg. Thank you again. Great talking to you, mate. Take care.
Beast, co-starring Kelly Gale and Russell Crowe, is now playing in theaters. Share your thoughts on the movie in the comments!
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Listen to our weekly movie review podcast CinemAddicts. Films covered this week include The Travel Companion, Heads or Tails, and Serpent’s Path:









