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If you’re looking for a shark movie that comes with a mechanical shark, check out the new movie Maneater. Nicky Whelan headlines this viscerally charged feature, and she talked to Deepest Dream about being challenged to the extreme with Maneater. She also talked about her “random” and creatively gratifying career, and I made sure to end the interview with some love for Last Night in Rozzie!
Written and directed by Justin Lee, Maneater centers on Jessie (Nicky Whelan), a woman is vacationing with her friends (Shane West, Kelly Lynn Reiter, Porscha Coleman). She is trying to get over a broken engagement, so a weekend getaway is the perfect idea. But chilling in an island paradise takes a different turn thanks to the presence of a killer shark. Trace Adkins co-stars as Harlan, a guy who has his own reasons for hunting down the shark.
The following interview with Nicky Whelan runs nine minutes, but she also talked about shooting the challenging third act of Maneater. That content is available for our CinemAddicts Patreon members.
Listen to the audio version of the Whelan interview on CinemAddicts:
I recommend Maneater if you are a fan of Nicky Whelan, Trace Adkins and shark films. I checked all three boxes, so this is my type of movie!
From the outside lookin in, doing a shark movie in a beautiful location sounds like a dream. That said, there must be a ton of work involved so it is not exactly a vacation.
WHELAN: You may have just nailed it, thank you. We shot in Maui which is always incredible when you get that breakdown (you say) “I’m absolutely going to Hawaii.”
And then when you get there and you make an independent shark movie with a mechanical shark in 18 days on a very small budget, you are then challenged like you have never been challenged before. All of us across the board.
The conditions are crazy. You’re exhausted. I thought I was a good swimmer until I got in the water in this movie! We had such a badass group of people who just rallied with the time that we were given.
Very ballsy of us using a mechanical shark. A CGI shark was used but there are pockets where you will see the mechanical shark which was an amazing thing to experience and work on set with. Our director Justin Lee was like “I gotta do this.” It’s hard work lugging in this enormous shark head into the water. It’s no joke – this shooting. But we made it happen.
What makes Justin Lee a unique director? My mother is a huge fan of his feature Badland. What do you see in him?
WHELAN: The energy he kept on set was quite incredible. In such chaotic times, he was very chill. We’re on this beach location and he’s wandering around quietly and figuring things out. There is sort of a way he works which I really appreciate. And it was the mechanical shark that got me. He was adamant about doing that.
He had spoken to someone who worked on the original Jaws movie – there was something about him wanting to use a mechanical shark. It’s hard to do that, and he did and he embraced that.
I just valued his energy more than anything and the ballsiness he took on. He’s like “Let’s get a mechanical shark.” He wanted to do things that old school people do and I’m old school. I really appreciate that about him.
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