Alan Silvestri, one of cinema’s most prolific composers, will serve as a special guest for the Chattanooga Symphony & Opera at the 2014 Chattanooga International Film Music Festival. The fest, which runs February 28 through March 2, offers a weekend of seminars with George S. Clinton (the fest’s artistic director) and Sundance Film Music Program director Peter Golub.
The fest will feature a screening of Back to the Future, and Silvestri will be on hand to talk about composing the Robert Zemeckis directed feature (Silvestri scored the entire BTF trilogy). “Hooray for Hollywood,” one of the concerts featured in the fest, will offer up Clinton’s Austin Powers suite as well as Silvestri’s Back to the Future suite.
“The first orchestra I ever heard was the Chattanooga Symphony,” said Clinton, whose credits include the Emmy winning Bury My Heart At Wounded Knee and Tooth Fairy. “To be back in my hometown as an adult, collaborating with this wonderful orchestra, performing my music – well it doesn’t get much better than that.”
During his career, Silvestri has composed over 80 scores, with Forrest Gump, The Avengers, and most recently Red 2 as just a sampling of his resume (his score from Contact is a personal favorite.
Registration is currently open, and for more info, check out the following the fest’s official site.
PC enthusiasts who need a new feel to their gaming will probably check out Tivitas Interactive’s Sinister haptic gaming device at CES 2014. The item, powered by ViviTouch technology, offers players a solid gamepad experience coupled with the pinpoint accuracy of a mouse. That’s a pretty tall order, but kudos if it can balance the joys, along with the individual comforts of both PC and console gaming.
Developed by Tivitas Interactive, the device is also promising “fully-customizable, adjustable ergonomic support” and “true analog movement.” Since my wrists and hands are pretty much shot from years of typing and gaming, anything which attaches itself to the word “ergonomic” is a friend of mine.
As for the controls, they look like something Tron would don during a night out on the grid, so that’s kind of awesome.
You can check out Sinister today (January 7) at the Wynn Hotel Lafite Ballroom from 6 pm – 9 pm. For added info, check out www.tivitas.com.
The Counselor was one of last year’s most debated films, as some viewed Ridley Scott’s epic tale of moral destruction as a masterpiece. The narrative’s detractors complained that it was filled with too much talk and, in the end, much ado about nothing. The movie gets its Blu-ray combo pack and DVD release on February 11.
If you haven’t checked out the film, The Counselor centers on a charismatic yet slithery lawyer (Michael Fassbender) who seems to have the perfect life. With a beautiful girlfriend (Penelope Cruz) by his side and a rich lifestyle under his thumb, the “counselor” decides he needs to make even more money and enters a drug deal with a colleague (Javier Bardem). Cameron Diaz also stars as a manipulator who’s only concerned with the bottom line, with Brad Pitt chiming in as a middle man who tries to steer the counselor on the right road.
The Unrated version of The Counselor clocks in at 138 minutes, and considering the theatrical version runs at a healthy 117 minutes, it’s a release which should appeal to the film’s devotees (the original press release had the unrated cut coming in at 220 minutes, but it was corrected later in the day). If you don’t want to check out all the special features and all that unrated goodness (or if you don’t have the funds), the barebones DVD is also available.
As for the Blu-ray features, they include:
Unrated Extended Cut
The featurette “Truth of the Situation” (over 60 mins. of footage)
We live in an age populated by comic book heroes and four quadrant based projects, so thank the cinematic heavens for foreign films, indies and auteurs. One reason Gloria is on my to-watch list is Paulina Garcia’s well received performance as the titular character. Garcia won the Silver Bear for Best Actress at the Berlin International Film Festival.
The narrative centers on a fiftysomething woman who finds fulfillment, and what one assumes is ensuing heartbreak, after having an affair with a divorcee named Rodolfo (Sergio Hernandez). Now that her kids are grown up and have children of their own, Gloria is looking for a bit of companionship herself, hence her love of social dance clubs in Santiago, Chile.
Directed by Sebastián Lelio, Gloria hits New York and Los Angeles theaters on January 24, and will be released in further cities the following weeks.
Check out the trailer, and tell us what you think!
January is usually a month that’s littered with horrible movies. However, one film I’m eagerly anticipating is Gimme Shelter, a project which continues Vanessa Hudgens’ inspired choice of work. In the past several years, the High School Musical star has turned in solid work in Sucker Punch, Spring Breakers, and The Frozen Ground (I still haven’t checked out Machete Kills).
One of the many reasons to hit the Big Apple this year is to revisit high school, B-movie style. On Thursday, January 9th, Troma Entertainment is making a stop at the Museum of Modern Art for a “Troma at MoMA” evening. The event is part of MMA’s 2013 “The Contenders” film series, and after the screening of Return to Nuke ‘Em High, Vol. 1, director/writer Lloyd Kaufman will take part in a Q&A session with, if everything goes as planned, a rapt audience.
Among the selections for this year’s “The Contenders” series are Gravity, 12 Years A Slave, All Is Lost, and Blue Jasmine. So, in short, Return To Nuke ‘Em High, Vol. 1 is in good company (or is it the other way around?).
Hopefully, the film is just as awesome as the poster. If you’ve already seen the film or plan to check out the MoMA screening, tell us what you think of the film.
One of 2013’s most beautifully shot films, The Grandmaster, may not have received as much traction in the U.S., but the picture has garnered its share of acclaim overseas. The most prestigious (or for that matter, the most recognizable) honor came from the National Board of Review, which named The Grandmaster one of last year’s top 5 foreign films.
Want to delve deeper into the controversial life of Lance Armstrong? Director Alex Gibney’s The Armstrong Lie, a documentary which chronicles cyclist Lance Armstrong’s rise and inevitable fall, comes out on Blu-ray and DVD on February 11 from Sony Pictures Home Entertainment.
Gibney, whose previous credits include Enron: The Smartest Guys in the Room and We Steal Secrets: The Story of Wikileaks, covered the Tour de France and Armstrong’s return from his 2005 retirement. After finally admitting to doping in October 2012, Armstrong’s story had drastically changed, leading the filmmaker to change perspective on his documentary.
The Armstrong Lie contains new interviews with Armstrong as well as his former teammates. As for the Blu-ray and DVD special features, they are as follows:
Commentary from director Alex Gibney
Q&A with Gibney, magazine writer Bill Strickland, cyclist Jonathan Vaughters, and Betsy Andreu
Director Richard Linklater’s revered Before trilogy (Before Sunrise, Before Sunset, and Before Midnight) will be spotlighted at the Santa Barbara International Film Festival. The screenings, as well as a discussion headed by Ethan Hawke, Julie Delpy, and Linklater, takes place Sunday, February 9 at the historic Lobero Theatre.
Delpy received a Golden Globe nod for her work in Before Midnight. The actress, Linklater, and Hawke also garnered Oscar nods back in 2005 for Best Adapted Screenplay (Before Sunset).
“This trilogy creates one of the most authentic portrayals of love on the screen,” says SBIFF Executive Director Roger Durling. “And it’s an undeniable gift to be able to experience all three movies in one day as well as to host its three talented creators.”
Oscar Isaac gives one of this year’s most celebrated performances as the titular character in Inside Llewyn Davis. Directed by The Coen brothers, the drama is a celebration of folk music in the early 1960s, as the filmmakers paint a vivid portrait of Mr. Davis, a struggling musician who’s attempting to stay true to his craft.
Issac, who received a Golden Globe nod for his role, cited the work of silent film star Buster Keaton as a reference point for Llewyn Davis. “I thought about the comedy of resilience a lot,” said the actor, whose previous credits include 10 Years and Drive. “And that led me to Buster Keaton in particular and I thought of him just as an inspiration of (like) that’s somebody that all sorts of horrible s**t happens to him and yet we root for him still. He has this melancholic impasse and clearly he has this rich, emotional life.”
Another inspiration for Isaac is the Charles Bukowski piece Bluebird, which is featured in the writer’s collection “The Last Night of the Earth Poems.”
To hear Oscar Isaac talk about Buster Keaton, Charles Bukowski, and Bluebird, please listen below:
Inside Llewyn Davis also stars Carey Mulligan, John Goodman, and Justin Timberlake.