I have no idea if writer/director Paul Solet’s decision to stuff Adrien Brody in a piano was a not so subtle homage to Roman Polanski’s The Pianist. I also wonder if Solet loved the wish fulfillment endings of Carlito’s Way or Point Blank, but that’s neither here nor there, as though Bullet Head offer a few cinematic call backs, it’s a movie that stands on its own feet – even if it begins with man’s best friend . . .

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