The Man Who Killed Hitler and Then the Bigfoot is a moniker for the ages, and if one jumps to conclusions this tale, headlined by Sam Elliott, would be a pulp infused guilty pleasure. But looks can be deceiving, and writer/director Robert D. Krzykowski takes a huge gamble with his narrative and, from where I … Continue reading Review: ‘The Man Who Killed Hitler And Then The Bigfoot’ Is Meditative Pulp For The Soul