My main complaint with the absolute influx of streaming services is that there is an abundance of content out there, and it can be hard to dig through the cinematic junk to find that must see flick. If you’re a mystery/thriller enthusiast, The Clovehitch Killer, headlined by Charlie Plummer (Lean on Pete) and Dylan McDermott (American Horror Story), should be added to your list.
Continue reading “‘The Clovehitch Killer’ Review: Something Thrilling (And Horrific) This Way Comes”
As a film enthusiast and Asian American (I’m part Filipino), I’m ashamed to admit that BuyBust is the first film I’ve seen from the Philippines. But there’s a first for everything, and this unrelenting and gritty action thriller exceeded all of my expectations.
Continue reading “‘BuyBust’ Review: Manila Set Thriller Powered By Anne Curtis Performance And Unrelenting Action”
Landing at a trim 85 minutes, Never Goin’ Back is nonetheless a meaty narrative about two girls who whether their storms with aplomb, bringing a healthy share of mayhem in the process. Directed and penned by Augustine Frizzell, the flick is powered by standout work from leads Maia Mitchell and Camila Morrone. The balls out final act also took me by surprise, which is a great thing.
Continue reading “‘Never Goin’ Back’ Review: Summer Tale Shines With Maia Mitchell And Camila Morrone Pairing”
Though she’s had an excellent career, Kelly Macdonald is an under the radar actress whose diverse body of work (No Country for Old Men, Trainspotting, Boardwalk Empire) doesn’t stop her from getting overlooked. She refreshingly takes center stage in Puzzle, and it’s a tale that on would guess resonates with the Scottish actress.
Continue reading “‘Puzzle’ Review: Kelly Macdonald Puts Pieces Together In Memorable Tale”
There will be a ton of style versus substance arguments with Hot Summer Nights, director/writer Elijah Bynum’s visually hypnotic and balls out homage to such features as Goodfellas and Boogie Nights. Is this movie more than a series of beautifully composed shots and a wonderfully curated soundtrack (kudos for the use of The Outfield’s “Your Love”)? I believe it does, but maybe you need to look a little closer at this 1991 Cape Cod set odyssey.
Continue reading “‘Hot Summer Nights’ Review: Timothée Chalamet Headlines Visually Arresting Coming Of Age Flick”
The Icarus Line Must Die is a narrative whose roots are embedded in documentary and the underground Los Angeles music scene. Director Michael Grodner also brings a No Wave Cinema aesthetic to the playground, and even with these myriad of influences, The Icarus Line Must Die thankfully carves a singular path.
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I’ve lived in Culver City, worked at Miracle Mile, and have traversed the somewhat tony confines of Los Feliz, and these areas are among the locales spotlighted in director Christian Papierniak’s seductively beguiling Izzy Gets The F**k Of Town. But neither the director or Los Angeles are the stars of the show. The Queen Bee is Mackenzie Davis, and she’s a huge reason for this movie’s creative success.
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There’s a ton of things to say about Damsel, but the less you know the better. Toplined by Robert Pattinson and Mia Wasikowska, Damsel is a Western of the highest order. Skip reviews and just see this movie, but if you must read a bit more, here’s some non-spoiler stuff . . .
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Based on Michael Soussan’s memoir, Backstabbing for Beginners tries to mix a heavy dose of truth and sprinkle it with thriller elements. For the most part it succeeds thanks to another standout performance from Ben Kingsley.
Continue reading “‘Backstabbing For Beginners’ Review: Et Tu Ben Kingsley?”
Discovering movies that are absolute gems is a personal fixation, and one film that continues to resonate is The House of Tomorrow. It hits select Los Angeles and New York theaters today, and if you’re into perceptively written coming-of-age stories, this narrative should be worth your time and effort . . .
Continue reading “‘The House of Tomorrow’ Review: Coming-of-Age Drama Has A Great Future”